A young lady we passed on the way to the trolley station this morning asked Amber if she wanted a copy of Watchtower. Amber. Amber with the dark eye makeup and black lace gauntlets. Amber in the demonic schoolgirl getup. That Amber. Yeah.
We made sure to show up early this time round, especially since we wanted to get into the Coraline panel. Anime fantards ruined everything yet again, with three rejects from the Viz Media panel next door sitting directly in front of us, one with a burlap Domo costume head on. There were stern talkings-to before the panel started.
I don’t think Henry Selick opened his eyes once for the whole Coraline panel. I bet backstage he boasted that he could do the panel with his eyes closed.
The Flashforward panel was in the same room, so all we had to do was hang around and move up to better seats once people cleared out. I’m mostly interested in the series because Rob Sawyer is a Canadian science fiction GOD who graciously visits Edmonton on book tours unlike every other author in the universe, and thus anything he’s touched even tangentially deserves a few minutes of my time at least. I don’t mean to fangirl, but the guy is damn cool. The series makes a lot of changes from the book, but that’s to be expected if it’s going to appeal to a television audience, although the change in perception shift from 21 years to six months means that one of my favourite bits (Dimitrios’ “you killed us all” speech) is going to be cut (BAWWW).
Also Dominic Monaghan is going to be in it after all, surprising absolutely fucking nobody.
We were going to go to other panels that afternoon, and the Mighty Boosh panel in the evening, but the need for food and preparations for the Amanda Palmer concert meant that we had to miss them. Good thing the concert was so wonderful.
We got to the Women’s Club fairly early (or, if the sign is to be believed, the Woman’s Club, making me wonder who the Woman is). Amber and I met LeeVi, who is quite possibly the most enthusiastic Palmer fan I have ever met and who owns a wonderful embroidered blue bra that we happened to see by accident. Or not-so-accident, I’m not sure.
Hair Machine opened, simultaneously giving us the worst rendition and the best performance of “Final Countdown” I have ever seen. One day they will make it through a whole song. Today was not that day.
I have resolved to listen to more Vermillion Lies after seeing their performance tonight. I’m always a sucker for narrative songwriting, just because first-person love songs have so saturated the market and I crave something different. I would have bought their CD except that I didn’t want to go near the merch table for reasons I will explain later.
I downed about half a bottle of water in 30 seconds after Vermillion Lies finished, but I was back inside for Amanda Palmer’s first song. The power of music always amazes me; the club wasn’t absolutely packed, but it was pretty full. No amount of noise control could have got that room to shut up, but a woman singing softly while plucking away at a ukelele was enough to make the place dead silent. Maybe it shouldn’t be “speak softly and carry a big stick,” but “speak softly and spend 10 minutes trying to tune a $19 ukelele”.
After the concert ended the following exchange took place:
AMBER: Look, there’s Neil Gaiman!
CANCERBABY: OH CHRIST NO
AMBER: I’m gonna go get my picture taken with him, you coming?
CANCERBABY: NO I CANNOT MEET HIM THAT WOULD RUIN EVERYTHING
Yes, I’m a neurotic basket case. I also take that “never meet your idols” advice very seriously.
AMBER: Hey look, there’s Henry Selick!
CANCERBABY: WE HAVE TO GET OUT OF HERE BEFORE I ACCIDENTALLY MEET SOMEONE
Yeah.